Here are flesh areas only with first highlight color (indigo):
Here is first highlight painted on Mary's robes (Venetian red) as well as second highlight started on the flesh areas (Venetian red, carmine, lead white):
The workshop I attended focused on development of more advanced painting techniques and varies from what is taught to beginners. Beginners are taught a specific, easy to follow order of painting: roshkrish, 1st highlights, 1st float, 2nd highlights, 2nd float, 3rd highlights, etc. This week we learned to mix up the order a bit. First and second highlights were painted and then floated, then second and third highlights painted followed by another float. The order was determined by the needs of the painting, using a more intuitive approach rather than a rigid formula. This was both challenging and frustrating because I was so looking forward to the first float (because it mellows out the harsh colors of roshkrish and first highlight) but I had to wait!
Another difference in the more advanced technique was the use of dark colors for the first highlights (more like "darklights", I think). This method seperates dark areas from light and builds volume. I used Venetian red for Mary's robe and indigo blue for the flesh.